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If you’re looking for a truly beautiful and meaningful work to read this October, then try this first novel from one of my favorite authors, Lipan Apache wordsmith Darcie Little Badger. This is not a work about Halloween, but with magic and monsters, murder and ghosts, it’s perfect for the season. 

In fact, it’s perfect, full stop.

By page four, Elatsoe had me: “She could handle mundane dangers, like violent men with guns or knives, but every tunnel, bridge, and abandoned building in the city was allegedly home to monsters. She’d heard whispers about clans of teenage-bodied vampires, carnivorous mothmen, immortal serial killers, devil cults, cannibal families, and slenderpeople.” What genius is this? And don’t get me started on the scarecrows with real human eyes. Or Kirby the ghost dog, the best boy ever. Or the locals who stare at strangers. Or Teddy Roosevelt.

Here is the official description of Elatsoe: “Imagine an America very similar to our own. It’s got homework, best friends, and pistachio ice cream. There are some differences. This America been shaped dramatically by the magic, monsters, knowledge, and legends of its peoples, those Indigenous and those not. Some of these forces are charmingly everyday, like the ability to make an orb of light appear or travel across the world through rings of fungi. But other forces are less charming and should never see the light of day. Elatsoe lives in this slightly stranger America. She can raise the ghosts of dead animals, a skill passed down through generations of her Lipan Apache family. Her beloved cousin has just been murdered, in a town that wants no prying eyes. But she is going to do more than pry. The picture-perfect facade of Willowbee masks gruesome secrets, and she will rely on her wits, skills, and friends to tear off the mask and protect her family.” 

I can’t recommend this young-adult novel highly enough (for YA and adult readers alike). I laughed and I cried; I also punched the air in triumph three separate times. I want to foist this book on everyone I know. 

Here is a taste:

Sometimes, the world was too mysterious for her liking; Ellie intended to change that someday. In the kitchen, her father nursed a mug of coffee.

“You’re awake before noon?” he asked. “Did summer end while I was sleeping?” He smiled with his mouth, but his brown eyes seemed sad.

“Feels like it,” Ellie said. “Where’s Mom?” 

“She took a dawn flight to McAllen.”

“Is that because…” Ellie trailed off. Every word about the tragedy felt like a psychic paper cut, and too many stings would make her cry. There was nothing shameful about tears, but Ellie hated the way her face ached when she wept. The pain felt like a head cold. “When did it happen?”

“Last night,” her father said. “Around two-thirty. He peacefully walked to the underworld. No struggle, no pain.”

“No pain? You can’t know that, Dad.” Although Ellie spoke softly, he heard her. Must have. He no longer pretended to smile.

“Lenore needs help with Baby Gregory. That’s why your mother left suddenly.” He put his coffee on the counter and hugged Ellie. His wool vest tickled her chin. Ellie’s father had to wear blue scrubs and a physician’s lab coat at work, but during off-days, he broke out the cable-knit sweaters, tweed pants, and scratchy wool vests. “She has other duties. Your aunt and uncle are crushed with grief. They can’t handle the burial preparations alone.”

Oddly, thinking about Trevor’s widow, infant son, and parents helped Ellie push through. She had a job to do: protect them from Abe Allerton. “Are the police investigating the crash?” she asked.

“I believe so.”

“Let me make it easier. Abe Allerton killed him. Abe Allerton from a town called Willowbee.”

Her father stepped back, perturbed. “Why do you believe that?”

“Cuz spoke to me in a dream. Told me who killed him. Same way that drowned boy told Six-Great-Grandmother about the river monster.”

“I see.” Judging by his furrowed brow, that was an exaggeration, at best. “Wait. What river monster are you referring to? Didn’t she fight a few?”

“The one with a human face and poison scales. That’s not important. Dad, I think Cuz reached out to me in between phases, after his last exhale but before his spirit went Below.”

“It’s possible. You and Six-Great are so much alike.”

“You think so?” she asked.

“Sure. I never met the woman, obviously, but you’re both remarkable ghost trainers. Intelligent and brave, too.”

Ellie smiled faintly. “Thanks,” she said, taking a glass from the cupboard and pouring herself some orange juice. She had no appetite for solid breakfast. “You know what this all means, though, right? Abe Allerton from Willowbee is a murderer, and he cannot hurt anybody else.”

- from Elatsoe by Darcie Little Badger (2020) 

You can read a longer excerpt from Elatsoe here and access a Q&A with Darcie Little Badger and see related videos here. You can also find links to some of Darcie Little Badger’s spooky online short stories on her website here.

The book is gorgeously illustrated by artist Rovina Cai

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(Photo is “Spooky Woods” by GypsyMist.)

Do you consider crime thrillers and murder mysteries good reading fare for the Halloween season? 

I do.

And I’m glad that we’re in a time when crime fiction by Indigenous American writers is increasingly recognized and celebrated. Here’s a terrific article by Lakota author David Heska Wanbli Weiden for CrimeReads“Why Indigenous Crime Fiction Matters.” He also contributed this useful reading list for The Strand: “Seven Essential Native American Crime Novels.”

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Speaking of David Heska Wanbli Weiden, I read, thoroughly enjoyed, and highly recommend his gripping 2020 novel Winter Counts, which is a (to borrow the official description) “groundbreaking thriller about a vigilante on a Native American reservation who embarks on a dangerous mission to track down the source of a heroin influx.” A tense and engrossing read. 

And speaking of his essay on “Why Indigenous Crime Fiction Matters,” I was very glad to see Cherokee novelist John Rollin Ridge mentioned front and center. Earlier this year in my monthly “Looking Back on Genre History” segment on the StarShipSofa podcast, on Episode 628, I discussed how we can trace parts of Batman’s origin back to John Rollin Ridge and his fiction. 

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(Photo by Yours Truly.)

Perhaps my favorite discovery this year is the wonderful Cash Blackbear mystery/crime series, including Murder on the Red River (2017) and Girl Gone Missing (2019), by White Earth Nation author Marcie R. Rendon. Set during the Vietnam Conflict, these books follow 19-year-old Cash Blackbear -- “aged-out foster child, girl pool shark, truck driver from Minnesota’s White Earth reservation” -- who asks questions, has dreams, and regularly helps out her friend Wheaton, the cop who is her family by choice rather than blood, as he solves crimes. These books deliver on mood and atmosphere while also telling difficult, important, meaningful stories.

Here is one of Cash Blackbear’s vivid and haunting dreams:

Cash pulled herself up and out of her window. Her heart beat in her ears and she shivered uncontrollably. Her eyes darted left and right as she ran barefoot across the damp ground. She reached the plowed field. Her foot sank into the cold, damp dirt. When she tried to pull her foot up, her front leg sank further into the earth. She threw herself forward, clawing with bare hands, hearing the heavy, labored breathing of the person chasing her. Fear forced her from her body so that she was soon flying above herself. She looked down to see her body stretched out in the mud below, buried to her knees, arms flailing, hair catching in her hands. Instantly, the body in the field changed from herself struggling to two paler, longer-legged, blonde women. The young women looked up at Cash. They mouthed, “Help me, Help me.”

- from Marcie R. Rendon, Girl Gone Missing (2019)

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My latest is here! I'm so thrilled Jack Fennell invited me to contribute “Indigenous Futurisms” to his book.

I'm delighted to share the work of Vine Deloria, Jr., William Sanders, Gerald Vizenor, Grace L. Dillon, Daniel Heath Justice, Rebecca Roanhorse, Cherie Dimaline, Johnnie Jae, Darcie Little Badger, Pamela Rentz, Mari Kurisato, and many more!

eldritchhobbit: (Firefly/Morbid and Creepifyn)
It's been ages! I'll be catching up with comments soon. I hope all is well with you, my friends! While we’ve been settling into our new state/home here, other things have been happening, too! Here’s my news.

1. It was a thrill for me to narrate Ann K. Schwader’s ([personal profile] ankh_hpl's) chilling Lovecraftian cosmic horror story “Dead Canyons” for Tales to Terrify.

2. My two latest “Looking Back on Genre History” segments – my 100th and 101st! – are up on StarShipSofa. January’s segment is on the married science fiction duo of C.L. Moore and Henry Kuttner, and February’s segment is on the anthology Scientific Romance: An International Anthology of Pioneering Science Fiction. If you listen, I hope you enjoy!



3. I was honored to be Guest Editor for the “Celebration of Indigenous Fantasists” issue of Apex Magazine in August 2017. Now I’m overjoyed to celebrate its “Welcome to Your Authentic Indian Experience™” as a nominee for the Nebula Award! Congratulations to the brilliant Rebecca Roanhorse!

4. Dwight MacPherson’s powerful Elevator is now available as a trade paperback from Hocus Pocus Comics. I edited this graphic novel, and I’m delighted to see it in print. I love the cover art by Randy Valiente.


eldritchhobbit: (books/coffee)
Podcasts! I’ve had the good fortune to be on several terrific podcasts in the last few weeks. Here are my latest appearances.


Interviews (My 1st Appearance on Both of these Great Podcasts!)

* I was interviewed on Episode 107 of Unmistakably Star Wars on “What Indigenous Peoples in Star Wars Can Tell Us about Our Real World.” Listen here! 

* I was interviewed on Episode 4 of Reading, Writing, Rowling on “Fantasy, Imagination, and Indigenous Futurism.” Listen here! 



My “Looking Back on Genre History” on StarShipSofa

* Episode 506 of StarShipSofa includes my Guest Scholar presentation from the recent 4LEP Conference, based on my latest research project: “The Jedi of Middle-earth? Tolkien’s Influence on Today’s Star Wars.” Listen here!

* Episode 510 of StarShipSofa includes my “Looking Back on Genre History” segment on the newly-rediscovered 1956 Hugo Awards ballot. Listen here!

If you listen, I hope you enjoy!



eldritchhobbit: (Pumpkin face)
Today I want to share an extraordinary new story from the October 2017 issue of The Dark Magazine. It is, in a word, haunting. You don’t want to miss “The Whalebone Parrot.”

As author Darcie Little Badger says of her story, “I tried to learn Lipan, but so little remains. Haunted by the ghosts of my dying language, I channeled my anger and sorrow into a story.” Check out this Twitter thread in which she explains the roots of her unforgettable Gothic tale.



Here is a brief taste:

Stairs had been chiseled into the incline between the beach and elevated meadow. As if summoned, a woman in white stepped onto the granite landing. Although her face was hidden by a lace veil, Emily recognized the willowy shape and unflagging straight posture.

“Thank you, Franklin!” Loretta called. That low, lilting voice had given Emily a thousand stories, a thousand admonishments, and a hundred thousand tender endearments. “Albert and I can manage the rest.”

As the skiff broke away from land, the sisters met in the middle of the staircase. “I missed you!” Emily cried. “Let me see your face!”

Loretta turned away from the sea and lifted her veil. “Have three years changed me?” she asked.

“Well … ” Loretta’s skin, once richer than dark amber, was sallow. She must rarely sun it. The new look complemented Whalebone Island, as dreary a place as any. Its grasses, brush, and scraggly trees were wind-stooped and stunted by their inhospitable lot. Emily wondered if the island, with time, would leech the color from her cheeks, too.

“Why do you cover your face?” she asked.

“Because I hate the way they stare.”

“Who?”

“Everyone but you, Darling.” Loretta smiled. “Let’s hurry home. A surprise is waiting.”


Read “The Whalebone Parrot” by Darcie Little Badger – or listen to the podcast version – here.
eldritchhobbit: (Pumpkin face)
Today for the Halloween Countdown I want to share the best ghost story I've read in ages. I had the honor of including "If a Bird Can Be a Ghost" by Allison Mills in the August 2017 issue of Apex Magazine (a "Celebration of Indigenous Fantasists"), which I guest edited. If you haven't read this story, you're in for a treat. If you have read it, then read it again! I can tell you from personal experience that it rewards multiple readings.




Here's a brief taste:

If Shelly’s mother had been home, she wouldn’t have let her go to the river. Grandma walks up and down the bank a few times, holding Shelly’s hand, the cops trailing after them, and Grandma lets her hair hang loose and long to pull up any ghosts.

She catches the ghost on the third pass. His clothes are plastered to his body and his shivering makes him shift in and out of focus. He doesn’t speak, but he keeps glancing over his shoulder, towards a little outcrop of rocks on the bank of the water.

“Ah,” Grandma says, nodding. She gestures the cops closer and points to the rocks. “He’s caught up in there. A nice young man with a red beard.”

The cops wait until Shelly and Grandma leave to pull the body from the water. The ghost comes home with them, wet and shivery, even after the bus ride back to the house.

“Do you want me to turn on the heater?” Shelly asks him.

The ghost jumps and looks down at her. “Where did you come from?”

“Leave him alone, Shelly. We’ll feed him and send him off,” Grandma says. “He doesn’t need us confusing him even more.”

“I don’t understand what happened,” the ghost says. “I was just on the bridge. I was just thinking.”

Grandma pours the ghost a mug of milk and warms it in the microwave as he drifts around their kitchen, flickering in and out of focus as Shelly watches, fascinated. A new ghost, a ghost who is still deciding if he wants to stick around or not, is new for her.

“What’s your name?” Shelly asks because the cops hadn’t said.

The ghost gives her a distressed look. “I don’t know,” he says. “Do you know who I am? Do you know my name?”

Grandma set the mug of warm milk down on the kitchen table. “Here you go,” she says. “This will warm you up and then we’ll make sure you get where you’re going. That sounds nice, doesn’t it? Shelly, would you get the scissors from my sewing kit?”

Shelly goes and gets the pair of small, silver scissors. The ghost drains the milk on the table. His wet hair drips real water on the floor. He looks like he’ll never be fully dry, like if you tried to wring him out he’d twist and twist and the water would just keep coming. This, Shelly thinks, is probably why Grandma doesn’t want to keep him. Having a damp ghost haunting their house would be troublesome.

Grandma wraps a strand of hair around her ring finger and clips it off. By the time the milk is finished, the ghost is nearly gone, just a faint smudge in the air where once there was a man.

“Where do they go?” Shelly asks. “Where do we send them?”

Grandma picks up the mug and refills it with milk. She sticks it in the microwave to heat it up for herself. “We’ll find out, won’t we? One day, a long time from now.”



Read "If a Bird Can Be a Ghost" by Allison Mills here.

Listen to my reading of "If a Bird Can Be a Ghost" here.
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My latest “Looking Back on Genre History” is up on StarShipSofa, and it’s an update on Native American Science Fiction/Indigenous Futurism. Listen for free here!

(The earlier segment I did introducing this topic in 2011 is here.)



Here are some of the links I mention in my new segment.

Apex Magazine’s “Celebration of Indigenous American Fantasists”

Strange Horizon’s Roundtable on Indigenous Futurism

Extrapolation’s Issue on Indigenous Futurism 

A Tribe Called Geek

Indigenous Comic Con 

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As guest editor, I am beyond thrilled to share this issue with readers. The amazing works assembled here represent Cherokee, Muscogee (Creek), Seminole, Ohkay Owingeh Pueblo, Mushkegowuk Cree, Karuk, and Ojibwe Nakawē perspectives. Please check out issue 99 and its related podcast here.


ALL OF THIS ISSUE’S CONTENT IS NOW UNLOCKED AND FREE TO READERS!

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As guest editor, I am beyond thrilled to share this issue with readers. This project has been a year in the making! The amazing works assembled here represent Cherokee, Muscogee (Creek), Seminole, Ohkay Owingeh Pueblo, Mushkegowuk Cree, Karuk, and Ojibwe Nakawē perspectives. The stories are outstanding! Please check out issue 99 and its related podcast here.


eldritchhobbit: (Rogue One/Baze smiling)
Hi, everybody! I’m now seventeen films into my viewing of all of Jiang Wen’s remarkable works. I have five more lined up before I decide what to do about those that don’t have subtitles. The themes of history, memory, and agency in many of these movies speak to me in a powerful way. The films he directed are genuine, meaningful works of art, and so are many in which he starred. So be warned (ha!): there will (soon!) be a post breaking down, commenting on, and ranking/recommending his films.

I’m also doing some reading on his works, too. And speaking about texts on Jiang Wen, if you’re interested in him and and his perspective, you definitely should check out everything posted under the “#Books on Baze” tag here. Must reads!



On a somewhat related note, I’ve also managed since first watching Rogue One to see ten or so Donnie Yen films, and I’m sure there are more of those to come, as well – so, yes, that’s probably another forthcoming post. (Two words: Ip Man.)

On a more loosely-related note, if you have the chance to see the brilliant Genghis Khan exhibit at Charlotte’s Discovery Place, do so! It’s wonderful and it’s leaving very soon. I had the good fortune of catching it just after finishing John Keay’s China: A History, so that was excellent timing.



Currently I’m reading Autumn of the Black Snake: The Creation of the U.S. Army and the Invasion that Opened the West by William Hogeland, which I’ll be reviewing for Reason.

It’s finals time in university land, so if I’m quiet, just know that I’m grading. And grading. And then grading some more!
eldritchhobbit: (Re-Animator/Weird)
Hey everyone! Remember me? Apologies for being quiet. I am slammed with work at the moment. I look forward to catching up with emails and comments soon. In the meantime, I wanted to make a quick post with some updates.


First, in one week until HP Comics will start its first Kickstarter! I hope you'll check it out. I'll post more when the event is live.



Speaking of HP Comics, huge congratulations to our President and Publisher Dwight L. MacPherson! His comic Howard Lovecraft and the Undersea Kingdom is being adapted to film, and Mark Hamill, Jeffrey Combs, and Christopher Plummer will be voicing roles! Too cool!

In other news, my Apex Magazine essay "The Once and Future Chief: Tecumseh in (Science) Fiction" is now online here. If you read it, I hope you enjoy it.

Wishing you a wonderful day, my friends!
eldritchhobbit: (Tecumseh)
My "The Once and Future Chief: Tecumseh in (Science) Fiction" appears in this month's Apex Magazine. I'm so delighted to be featured in such fantastic company! This special double issue is available in ebook form for $2.99.

eldritchhobbit: (Rogue One/Baze smiling)
It's time for my annual navel-gazing post, in which I take stock of the year beyond my university teaching for my own information/edification.

So here's my reading, podcasting, and published work this year.





Below the cut: lists! )
eldritchhobbit: (Halloween)
Happy October! Let the countdown commence!

Thank you for joining me for the eleventh year of my blog-a-thon celebration of Halloween. I have some special treats for you this year, including two exclusive interviews and two giveaways, and I truly hope you'll enjoy them.

For today's spookiness, I'd like to quote from the story exhibit at the wonderful Museum of the Cherokee Indian (which I encourage everyone to visit!). Here's what the exhibit says about the Cherokee tradition regarding Spearfinger:

"Long long ago, hilahiyu, a terrible monster lived in the mountains. Her name was Spearfinger, Utlvda, because she had a long, sharp, stony forefinger of bone like an awl. She used to stab people and scoop out their livers -- her favorite food. She had a thick stony skin, but the scariest thing about her was that she could change her appearance to look like your grandmother, or someone in your family. When she got close to her victim, she could stab him, scoop out his liver, and eat it without him even noticing. A few days later he would get sick and die.

"Finally the Cherokees held a council to decide how to get rid of her before she killed everyone. They dug a deep pit, and covered it over with brush and grass. Soon Spearfinger came along the trail, looking like someone's granny, and fell in the pit. Then she changed into the monster that she was, and all their arrows just bounced off her stony hide.

"The titmouse, utsugi, sat on a branch and sang, and the warriors thought it was saying 'heart, heart.' They aimed at her heart, but their arrows and spears bounced off and broke. This is why they say now the titmouse is a liar.

"Then the chickadee, tsikilili, flew down and lit on Spearfinger's right hand, where she kept her heart clenched in her fist. The warriors shot at that, hit her hand, and killed her. Ever since, the chickadee is known as a truth teller."


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Source.
eldritchhobbit: (Books and coffee)
I'm delighted to announce that I've accepted an invitation to guest edit an issue of Apex Magazine (scheduled for August 2017). I will be soliciting new stories that showcase the rich depth and diversity of science fiction, fantasy, and horror penned by Native American/First Nations authors. Apex Magazine routinely provides 12,000 words of original fiction per issue, but my special issue will deliver 20,000.

My long relationship with Apex dates back to the fourth issue (Winter 2005) of its print-edition days, when it was Apex Digest. It is with the greatest excitement that I look forward to this important project.

If you have questions or recommendations, you are welcome to contact me via my website.

eldritchhobbit: (HP/Dumbledore)
Recently I was invited to share thoughts related to the controversial question of how J.K. Rowling has addressed Indigenous America in her two recent Pottermore works ("History of Magic in North America" and "Ilvermorny School of Witchcraft and Wizardry") in an extended interview on MuggleNet Academia with hosts Keith Hawk and the Hogwarts Professor himself, John Granger, as well as my fellow scholar, Allison Mills of the University of British Columbia. It meant a lot to me to be a part of this important conversation.

I hope you'll check out MuggleNet Academia Lesson #51: "Harry Potter and the Indian in the Cupboard"! If you listen, I hope you enjoy.

eldritchhobbit: (Tecumseh)
Here are a few new calls for papers that may be of interest:
- Doctor Who: Twelfth Night
- I Am Already Dead: Essays on The CW's iZombie and Vertigo's iZOMBIE
- Kaiju and Pop Culture Anthology
- Social TV Fandom and the Media Industries
- Octavia Butler Essay Collection

I'm back from a fantastic trip to Cherokee, North Carolina. I hope everyone is having a great day!

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